Visiting this years Unsound Festival gave us a cornucopia of live acts, DJ sets and impressions. However, one thing really stood out visually with a deserved standing ovation in the Kino Kijów.
Sometimes you have to abandon all notions of decency and rave hard. This is one of those times.
Merging sound, vision and environment, ‘Sadly by your Side’ is an album, a book and a smartphone app. But it’s also an idea. And that rather ingenious idea is that an album is open to your personal interpretation. Not only that, it’s also sensitive to the environment you happen to be in. If you open the app and point your phone at Sadly by Your Side’s physical pages, you’ll hear the tracks in their original form. But if you point it anywhere else, you’ll hear unique remixes of those same songs, with the tracks remixed in-real time as you change your environment.
Nu-disco is a weird term. For starters, it’s not really new, considering it first appeared over a decade ago. And of course, there’s also the spelling. Is new that much more cumbersome to spell than its alternate, edgy consonant + vowel equivalent? Although, there’s something to be said about abbreviating a three-letter word. Using “nu-disco” as a superset genre for several upcoming of artists also poses its own set of problems. How to describe the next wave of this category? New nu-disco? Nu-nu disco? Nu disco squared? Let’s just skip the labels and talk about the music.
Barely a year after releasing the LP Pink, the London-based producer Kieran Hebden better known as the infamous Four Tet returns with a new album, which has so far avoided the usual hype: Beautiful Rewind. Behind the psychedelic cover hides an album swimming against the current trend, resulting in an impressive track, a near perfect summary of all that went before.
I first encountered Oracy one morning in Panorama Bar, the house-oriented top floor of everyone's favourite monolithic temple of techno. The first track he dropped was a particularly demanding 90s-sounding rave number, as if to present a challenge: accept it and dance, or disappear. And some did - maybe 30 percent of the floor emptied out, but the brave ones who stayed were subject to something stunning: his set was diverse, soulful and utterly ballsy. Behind the moniker stands German Thomas Wendel, who you may be familiar with as techno connoisseur Don Williams, or the man behind the imprints Mojuba, a.r.t.less and Wandering. On the 25th of October we’ll be bringing this bold Berliner to Jolene Bar, Copenhagen, for our Dunkel Radio party. We decided to catch up with him before his visit, for a chat about where his journey with electronic music started and how he developed his esthetic on DJing. We even managed to uncover some very promising news about a future Convextion release on a.r.t.less...
African acid-rave and pounding house vibes aplenty, as the man with the tallest headgear in dance music takes center stage at Boiler Room London, armed with facepaint, dancers and champagne. If that opening sales pitch doesn’t have your undivided attention, we will posit the contention that you are well and truly dead inside.
When Young Guru Young was in NYC to speak at The Apple Store In Soho, Nod Factor caught up with him in the street to discuss the new Logic Pro, FL Studio for Mac, why the industry needs Acapellas, that "Control" conversation he had with the great 9th Wonder, and the TMA-1 Studio Engineered by Young Guru.
Supported by a horde of amazing producers and DJs like Kode9, Flying Lotus, Richie Hawtin and Bok Bok, SubPac is a new production tool that gives you bass in the right place. More specifically, it’s a tactile bass system that transfers low frequencies directly to your body effectively allowing you to experience the physicality of the music without doing damage to your precious ears.
What do you get if you take a Russian synthesizer, an Israeli artist, a Copenhagen gallery and run them through a competent curatorial blender? ‘Eccentric Exercise’, that’s what. We’ve lent some friendly headphone support to this very interesting exhibition that sees the Venice Biennale-exhibiting artist Guy Goldstein interpret the sounds of an ageing synth to rather remarkable effects.
Yes indeed, it's that time of year, the Amsterdam Dance Event time of year! In celebration of the impending festival and the party we're supporting, we’ve teamed up with our friend Gregor Tresher for a competition where you can win a grand prize consisting of 1 TMA-1, 1 limited edition Break New Soil ADE 2013 t-shirt and 2 x guest list entrance to the Break New Soil showcase at Amsterdam Dance Event! Read on for details on how to enter
The legendary DJ, producer, graphic designer and founder of the seminal Output Recordings, presents his new compilation called ‘Metal Dance’ at Boiler Room’s Rough Trade event. Expect EBM, Proto-Chicago-house, synth oddities and percussive curiosities from a classy, modern renaissance man who knows a thing or two about the darker side of dance music.
- is the incredibly painstaking video for Extrawelt’s new single that explores 'fractalscapes' through a process, which took over 4 months to realize. Check out the gorgeous video jam-packed with fractal eye-candy. It's well trippy.
To some of you, Daniel Avery’s very distinct dance floor flavor isn’t all that new. The 27-year-old producer and resident DJ at Fabric has been doing the rounds on the electronic music circuit and indeed the outer reaches of the known blogosphere for quite a while. But the striking novelty of his debut album lies not in an upcoming talent’s take on the sonic zeitgeist, but in a versatile artist’s singular departure from it.
Picture a guy who graduated university over a decade ago, sitting in the basement of a student dorm. Now picture that guy doing a radio show called Beats in Space. Different image? Thought so. True, Tim Sweeney has America’s longest-running college radio show. But Beats in Space is iconic, so synonymous with the underground dance music scene, it’s easy to forget its humble roots as a student radio show or the fact that every Tuesday you can find the host at WNYU’s studio located below a university dining hall. And when I say every Tuesday, I mean it. BIS recently celebrated 14 years. And Tim has never missed a week. The stuff of legend, perhaps, but urban myth it is not—he once finished the full two-and-a-half hours with a bad case of the flu (I saw it with my very own eyes.) It was then I realized: there are people who love music. And then there is Tim Sweeney. In a rare moment when he wasn’t on the air or in the air, flying to a gig, I had the chance to talk to Tim about upcoming projects and the beloved show listeners keep tuning into, week after week, looking to hear what they know they won’t find anywhere else.
In this series we'll be asking a variety of names from the scene to point out who and what they believe is being overlooked, so they get a chance to big up the stuff that they think deserves more attention. To kick things off, Najaaraq spoke to two of the UK’s most exciting producers right now: techno champions Blawan and Pariah, after their live set as collaborative project Karenn at PHONO Festival last month.
- in which our favorite Aussie beatsmith deconstructs, and revitalizes Empire of the Sun’s original to deliciously bouncy effects.
- is the music video that finally proves wrong the guy who made the music video for Authechre’s ‘Gantz Graf.’ Back in 2002, after Alex Rutterford had released the stunning video for Autechre’s equally mesmerizing single, he answered a lot of questions about the creation of the video. And, because people apparently asked him a lot of questions about algorithms, he stated that: ‘it's fool's gold thinking that someone can sit there writing a piece of software that can make intelligent decisions about pace and animation." Well, this has just been proved wrong with Matt Pearson’s creation of a system that interprets audio and generates the striking visuals of the ‘Prisms’ video.
- that Italian Futurist from the early 20th century whose 1913 Noise Machines (Intonarumori) and musical manifesto had an immense influence on generations of musicians looking to push the boundaries of sound. We’re hard pressed to think of a more fitting way to pay homage to the legendary sound Futurist than to have brilliant sound maverick (and collaborator on our Sound Taxi project) create a Russolo-inspired installation.
You turn your back for one second, and some technology you’ve paid less attention to flies off into the space age. Case in point is projection-mapping, which is featured in this short film that explores the synthesis of real and digital space through mapping onto moving surfaces. Documenting a remarkable live performance captured entirely on camera, 'Box' is pure, unadulterated eye candy.
Ever since his childhood, Yosi Horikawa has always been the DIY type. At just thirteen he spent most of his time with his tape recorder, recording and overdubbing different elements onto tape, using his headphones as a microphone. Now, although his setup has changed substantially, the same inventive attitude prevails in his work. Horikawa has more recently been keen on field recording and using organic elements in his music, like creating soundscapes of forest rain to rhythms using the sound of bubbles. We caught up with the Japanese experimental producer after his astonishing performance at PHONO Festival and had a talk about reunion with nature, his home country, and Bento.
At a time when the world's major cities seem increasingly atomised and fragmented, Montreal’s Megaphone project aims to bring people together in public spaces by giving them a voice. More specifically, the engineers and designers at Montreal’s Moment Factory want to provide the city’s inhabitants with the opportunity to have their voice broadcasted to a large audience with the aid of multimedia and cutting-edge voice recognition technologies.
Marc Barrite is an American artist also known as Dave Aju, (in France would that be Déjà Vu?), whose mission in life is nothing less than to ‘rescue dance music from the blahs’ this may perhaps offer an explanation as to why he recorded his first album entirely from sounds made from his own mouth.
We’ve teamed up with our partners at Seattle’s impeccably curated and just plain awe-inspiring Decibel Festival for a competition where two lucky winners each can win a DECIBEL Festival Pass! ($250). Want to see Machinedrum, Nicolas Jaar, Matias Aguayo, Blondes, Ben Klock, Neon Indian, plus an untold amount of other quality acts live? Read on.
The words “atmospheric” and “spacious” aren’t typically used to describe dance music. Neither are comparisons to the ambience of Arthur Russell with accents of Balearic rhythms and drum-machine soul. Good thing Fort Romeau isn’t typical. His music defies categorization, which is paramount to his success. And what success it’s been: since releasing his debut LP Kingdoms on LA record label “100% Silk” last year, Mike Greene, the man behind the moniker, has received widespread acclaim for his seriously fresh take on dance music, marked by smooth hints of old-school Chicago House. 2013 saw the release of singles SW09 on Spectral and Jetée/Desire on Ghostly International, followed by this month’s release of EP Stay True, whose title track is a seven-minute dance odyssey of epic proportions. In a sense, Fort Romeau is bringing house music to the home. He is one of the few artists capable of capturing the raw energy of a long night in a warehouse through your desk speakers, without sacrificing his signature sleek production and dream-like, sophisticated sound. And it’s not just his music that’s provocative: it’s also his opinions. I had the chance to chat with the artist about his upcoming LP, his creative process, and that whole digital vs vinyl debate. He had a lot to say.
It has been a good year for the ladies of the electronic pop/r&b music scene. Bands such as Chvrches, AlunaGeorge and Mø have filled the airwaves with strong female vocals and gained widespread recognition. And this particular lady is no exception, only she does it with a certain something extra. Her name is Banks. And so far she has been pretty awesome.
Some of us remember a time when the incessant whining over the lack of Future Shock would not cease. ‘Where’s my jetpack?’ ‘Where are all the flying cars’ and ‘Why can’t I beam myself to Tokyo’ would be some of the questions posed by an increasingly impatient horde of nerds and technology enthusiasts. But within recent years these yearning cries have abated considerably as very clever people have gotten on the ball and provided the mind-blowing moments in innovation. The latest of these is the MYO armband, which lifts us into the 2054 setting of Minority Report with downright incredible gesture recognition technology.
With a slight delay, here’s a little video capturing the atmosphere of the TMA-1 Studio Engineered by Young Guru launch and the subsequent party at the DL. It was hotter than all hell when we launched the Young Guru headphones back in early August. Fortunately, our new headphone collaboration piqued the interest of the NYC massive to the point where they were down to come out and mingle instead of staying home in their air-conditioned abodes.
The concept of Trans Metro Express is to give four electronic acts the opportunity to compose a live set for the Copenhagen Metro, inspired by a video of a specific Metro stretch. The music is subsequently played live in the moving Metro while the Copenhagen massive go Metro mental, as it were. It’s safe to say that the compentent creatives behind The STRØM Festival of Electronic Music go that extra mile to provide the very best in music, movement, and memorable experience. A fact which this year’s Trans Metro Express was, very literally, a moving testament to. AIAIAI tagged along for the ride and filmed the entire thing, which resulted in this very video. Check it out.
We all like our phones. Some of us even like them a little too much. But, as anyone who’s experienced a malfunctioning smartphone can attest to, they come equipped with a significant problem: phones just don’t last that long. However, it doesn’t necessarily have to be that way. Phonebloks, a simple but brilliant new concept, proposes an alternative: a phone that loses the malfunctioning component and replaces it with a new one.