We went to Frankfurt's Musikmesse last week to set up a stand, show our latest products - and take a few pics of it.
Friday ACID post suddenly got real on your asses. We're giving away this limited edition 'Acid Rock' poster to celebrate that our graphic designer, Kasper, just released an acid-influenced album with his band Spleen United. And because, you know, we like acid more than most people. All you have to do is answer two questions.
It took a little while, but after a good deal of preparation, deliberation and strategizing, we’re finally ready to lift the curtain on our brand new headphones! If you live in the city and like music on the move, please allow us to introduce you to your new best friend: his name is Capital, he’s a flexible yet rugged sort of character - and he comes in striking, new colours.
In which AIAIAI Australia help put on a great party in Melbourne. 'Espionage' is arranged by local cats The Operatives and it looks set to be pretty righteous.
Here's the first full-length interview in our Fragments series. First up is Dan Snaith AKA Caribou talking about music, mathematics, intuitivity and DJing.
We are proud to present Justin Townes Earle this Saturday the 19th at Pumpehuset
Get ready to get down with AIAIAI Australia and the Roof to Reel parties at the Rooftop bar.
Storm, Copenhagen’s renowned fashion and lifestyle boutique, will be selling the Fool’s Gold edition TMA-1. Get yourself down to Store Regnegade 1 where you can touch, test and try on the limited edition headphones.
The AIAIAI crew went to Amsterdam for the launch of the new Fool’s Gold limited edition TMA-1. We talked to Red Light Radio, held a launch party with the beautiful people at Precinct 5, drank ourselves silly, got down like funky robots on the floor of the Melkweg club and took pictures of it.
We like to talk to people who know what they’re talking about.
We’re pleased, proud and ever so slightly peppy. And the reason for this is that we’re just about to launch our latest headphone, the Fool’s Gold limited edition TMA-1!
Quite frankly, they should've hired us for soundtrack duties.
If we were filthy rich, the first thing we would do would be to get our butts on the first plane to Melbourne where AIAIAI Australia are hosting what looks set to be a grade-A get-down.
Design geeks probably won’t be majorly surprised that we’re into design history, more specifically the design philosophy of the German design maverick, Dieter Rams.
We know it, our fans know it, and now Detroit techno legend Carl Craig knows it too: using the TMA-1 will, in any given context, fill you with so much love and unbridled affection, that you will feel compelled to share it with your immediate surroundings. As a deterrent of negative impulses and increaser of sweaty hugs, the TMA-1 stands unrivaled.
Is there anyone in the Western hemisphere who hasn’t heard of Erol Alkan, the leather-clad DJ maverick of Cypriot-Turkish descent who’s had a hand in the development of almost every current, identifiable dance floor direction?
Labeling Mathew Dear’s talent is not the easiest of tasks. First of all, he works in a wealth of different guises such as Audion, Jabberjaw and False that showcase the diversity in his musical ability.
Tiga James Sontag accomplishments have been documented a 100 times over. He’s a skilled DJ, a savvy label head of Turbo Recordings and a flamboyant, charismatic entertainer. What most people don’t know, however, is that Tiga’s dad is a legendary Goa-trance DJ and that the young Tiga would travel back and forth between the hippie-infested beaches of Goa and snowy Montreal.
Like many other bass music aficionados, Steve Goodman AKA Kode9’s first encounter with the lower end of the electronic register was jungle and drum ‘n’ bass. The Glasgow native went to a local club where he discovered the music that changed his life. Today, he has a Ph.D. in Philosophy from the university of Warwick, he’s written a book on ‘ Sonic Warfare’, he keeps releasing his own eagerly anticipated productions and he runs Hyperdub, the bass music label of the moment.
Like many other boundary-pushing electronic acts, Hamburg-based Stefan Kozalla started out in the hip hop scene. He earned his DJ stripes in German group Fischmob where he became an accomplished turntablist with an ear for incorporating the more progressive end of the hip hop spectrum.
Aaah, Tim Sweeney. That bespectacled purveyor of all things tastefully eccentric and subtly subversive. When Tim’s New York radio show Beats in Space is claiming its small share of the airwaves on Tuesday nights, the international DJ mafia know it’s time to listen.
Sometimes we wish we knew French because it would make us able to understand what Julien Pradeyrol AKA Teki Latex was rapping about. It sounds like the head of the dance floor- conquering Institubes label (RIP!) has something important to say when he’s spittin’ and we’re no doubt missing out. We’ll just have to settle for his choice DJing skills and party-starting stage persona that’s the epitome of rowdy, good vibrations.
American folk singer and full-beard-bearer extraordinaire, Bonnie “Prince” Billy once teamed up with Hot Chip to do a vocal reworking of their forthcoming single ‘I Feel Better’, which was renamed ‘I Feel Bonnie’. This marks yet another unlikely collaboration in a series of many, a former being the Alexis Taylor/Robert Wyatt duets on ‘Whistle for Will’ and ‘We're Looking for a Lot of Love’.
Philipp Jung is one half of M.A.N.D.Y. , the Berlin-based duo who have kept the world’s more discerning dance floors moving since they started their first Frankfurt club night in the mid 90s. And the pair hasn’t rested on its laurels. Philipp Jung and Patrick Bodmer are presently the heads of the world-conquering Get Physical label, they’ve played to around 500.000 people at the Love Parade and they’ve recorded a significant number of exceptional mixes.
Crunch, swish, bleep, Ross Birchard AKA Hudson Mohawke’s cominatcha with tumultuous technicolour beats and 8-bit, neon-tinted melodies.
If you had to sum up the last decade in one name, you could do worse than offering up James Murphy. The producer of The Rapture’s first album, lead singer of LCD Soundsystem and co-founder of era-defining DFA records was none other than the guy who got the po-faced indie kids dancing.